“I went to Florence, there's this cafe, on the banks of the Arno. Every fine evening, I'd sit there and order a Fernet Branca. I had this fantasy, that I would look across the tables and I'd see you there, with a wife and maybe a couple of kids. You wouldn't say anything to me, nor me to you.”
Sorry but none of these other answers so far seem very good to me. Here's what I'll say: there are two ways to go. Do you want to tell the actor what to do, or do you want to give the actor space to decide how to play it?
Not a movie. But Mike Flanagan’s writing in Midnight Mass. He has one monologue in particular that felt like a warm blanket in regards to what happens when we die. I don’t want to mention any spoilers but I’m a big believer in poetry and writing being the thing that distinguishes us from other creatures. Our storytelling capabilities are innately human. And his writing for that show was as human as it gets.
To answer your question, any writing that viscerally and skillfully gets to the heart of what makes us all human and what we can all relate to on a foundational level is the good stuff and I consider Mike Flanagan and his time auteurs at that skill.
You don’t always have the debt counter in the bottom right on every episode and I think it should be there, it’s hard to follow without seeing the number.
Downsizing. We were teased by all sorts of the sights the first half. I wanted more, I wanted to know everything about tiny people and then I was robbed by the second half of the film.
Riley's perspective worked best for giving us an introduction to the island as an outsider, and he had personal links to the most other characters and especially Pruitt so following him gives easy ways to develop the other characters as well ("oh hi so and so, we've been doing such and such for the last few years", boom, easy backstory and exposition opportunities).
When we are together is the most beautiful song and it really helped me heal and see the whole picture. I want to write a thesis statement on that song. So I mean, really just the whole song. Perfection.
The ending of marriage story where he’s reading the letter to his son.
Also not sure if this counts as it’s about death but there’s three scenes from We Bought A Zoo that stand out to me.
January 6th was extremely malignant, it really showcased how divided and brainwashed some of us really are.
When I hear fields of gold from Eva Cassidy it makes me cry.
“I went to Florence, there's this cafe, on the banks of the Arno. Every fine evening, I'd sit there and order a Fernet Branca. I had this fantasy, that I would look across the tables and I'd see you there, with a wife and maybe a couple of kids. You wouldn't say anything to me, nor me to you.”
Sorry but none of these other answers so far seem very good to me. Here's what I'll say: there are two ways to go. Do you want to tell the actor what to do, or do you want to give the actor space to decide how to play it?
It’s completely acceptable for screenwriters to mention shooting concepts in a screenplay.
If you like the grief undertones check out the movie melancholia
I don’t think you’re not normal for this.
Click. (It’s silly and goofy but it fucked me up)
Not a movie. But Mike Flanagan’s writing in Midnight Mass. He has one monologue in particular that felt like a warm blanket in regards to what happens when we die. I don’t want to mention any spoilers but I’m a big believer in poetry and writing being the thing that distinguishes us from other creatures. Our storytelling capabilities are innately human. And his writing for that show was as human as it gets.
To answer your question, any writing that viscerally and skillfully gets to the heart of what makes us all human and what we can all relate to on a foundational level is the good stuff and I consider Mike Flanagan and his time auteurs at that skill.
Panic disorder- Dani from midsommar
I heavy agree but also don’t recommend watching if you have panic disorder.
I have a little of 6 standard goldendoodles available in Maryland ready to go to their new homes immediately.
You don’t always have the debt counter in the bottom right on every episode and I think it should be there, it’s hard to follow without seeing the number.
For the first one, we just started doing this now :)
Thank you! Keep on fighting the good fight of financial literacy! It’s a good mission to have!
Can’t believe they had five guys in mt airy not twenty mins from where I live! If we would have known we could have met them.
I think About You.
This is the correct answer. Taylor is an album artist and Folklore is her most impactful album. If it was one song it would be ATW10.
This is the correct answer.
Oh Caroline
If you’re in the us, text the crisis hotline and someone will talk you down to a more manageable level.
Downsizing. We were teased by all sorts of the sights the first half. I wanted more, I wanted to know everything about tiny people and then I was robbed by the second half of the film.
Riley's perspective worked best for giving us an introduction to the island as an outsider, and he had personal links to the most other characters and especially Pruitt so following him gives easy ways to develop the other characters as well ("oh hi so and so, we've been doing such and such for the last few years", boom, easy backstory and exposition opportunities).
Exactly!
I wouldn’t change a thing about midnight mass.
When we are together is the most beautiful song and it really helped me heal and see the whole picture. I want to write a thesis statement on that song. So I mean, really just the whole song. Perfection.
I’m 30 and I’m not dealing with all that. A girls gotta piss.