1. Don’t worry bout it too much. I listen to big artists and they’ll have a song with some loud ass sibilance. Try not to overdo it and constantly bypass and turn on the de esser during playback (DON’T SOLO) so you can hear the difference in the whole mix. Remember, de-essers arent used to eliminate sibilance, its to tame it

  2. My first reaction was the vocals aren't strong enough. There's not a lot of passion there, and they're not up front enough emotionally. I'd start by trying to get vocal takes with much more force and physical presence, possibly sung much closer to the mic, so the raw sound is more of a bassy growl and there's more groove and feel. Then worry how the rest of the mix sounds around that.

  3. Do u have any tips on making it “stronger”. Im trying to improve vocally and definitely have but theres still progress to be made and didnt know that it stands out that bad

  4. 100% this. A lot of people are talking about the mix without talking about the performance/arrangement. Leaving the instrumental aside, there’s timing issues all over the place with the vocals and the performance is just a bit meh. Feels like the performer is lacking confidence/reading the lyrics from a phone as they perform.

  5. Can u say where theres timing issues cos Im sure that everything’s on beat and what do u think could be done to enhance the vocal performance?

  6. In She Hulk there was that wolverine easter egg. What are the chances that is Hugh’s wolverine from Deadpool 3 and maybe She Hulk take places at similar times since deadpools coming to the MCU

  7. these are the exact sounds nice find. The other vocals you can hear is also the preset above the one you played. cool that pharell uses logic and uses stock sounds at times

  8. Now this is what the grammys is meant to nominate. Such a fantastic album all the way

  9. resorting to ableism because you know you're wrong is crazy

  10. How is deji doing push-ups disrespectful to him when he was like emoting the whole time????

  11. Ahh this stuff can be hard man. Thanks for feedback. I’m using the UAD LA2A giving around 3-5 gain reduction and the 1176LN compressor doing a light 1-2 db on the vocals and ssl 4000 channel strip which adds more brightness and presence. I think I have a eq pultec as will to add more brightness on the chorus as well.

  12. Thanks for the advice. For the compression, do I need it for all vocals or certain parts like the chorus or verse cos i use routing folders for the chorus and verse which have some different plugins and settings on it which i find easier than busses. Also when I compress i normally bypass and try keep the output level the same volume as it was before which idk is fine but im gonna turn the ratio up.

  13. how can u listen to something like come my way and not think it's pop rap

  14. Theres no way on earth you think care for me is pop rap too

  15. Bigger twist : she went to the sperm bank next to the IHOP

  16. that’s the joke, you’ve just explained the joke and added nothing. thank u

  17. Are you talking about the how airy it is like almost breathy shiny?

  18. Good recording is the first part of it. It’s just making the takes line up perfectly. Sounds like there’s also some chorusing/ensemble on it and excellent identification and separation of the fundamental frequencies of the harmony.

  19. What do u mean by separating the fundamentals of the harmonies and how do u do that? Also by thin, do u mean he cut the high end out kept the fundamentals?

  20. will forever be legendary. the nate feature goes crazy

  21. Hard to say, he worked on the first black panther and they got him in the trailer for the second. I would think that's enough for him in terms of a workload and it was successful enough for him to move on. Then again because they got him in the first one and in the trailer, they could get a track out of him maybe.

  22. What DAW are you using? What synth? Does your friend have the same synth? If you both have the same synth, you're much better off saving it as a preset and sending that to him.

  23. Pro tools and he doesn’t have the plugin so i wanted to send him the one shot

  24. First thing to do is characterize what's wrong with you mix. How is it sounding "not good"? Flat, not wide enough, empty, something else?

  25. It’s fine as long as your computer can handle it. If it can’t, that’s when I’d recommend bouncing groups into stereo tracks.

  26. When you say "tracks" do you mean each individual files or do you mean channels? That kind of matters

  27. Channels. Ima start deleting ones that dont contribute that much to the track

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